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Gallery |
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Recruitment Workshops 2009

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During
the first stages of the project artists were recruited through
a recruitment day held at CCC and follow up interviews and
planning meetings were held at the Ascendance Rep offices
in Leeds. |
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Making the promotional film 2009

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A promotional
film was made to be shown to schools and community groups,
capturing the essence of the project and interviews with the
local community. |
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Music Workshops, summer school 2009

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A four
day summer school was held as a launch event to the project.
Each day involved a warm up and introduction to heritage by
Ascendance Rep, a workshop with a different artist, oral history
training and film and photography work including a video diary
and evaluation conducted with and by the young people themselves.
Original
chants were made during the music workshops, the children
played instruments which the participants had made themselves
out of everyday objects. |
> Portrait
Gallery, summer school 2009

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Each member of the group was asked to bring
in an object of value to them. A portrait gallery was made
and exhibition displayed at the end performance and kept up
in the foyer at the Cottingley Cornerstone Centre during the
duration of the project. Group participants collected a series
of ‘visions and memories’ from members of the
public. They then used a washing line to display the pictures
and words that were collated and encouraged people to add
their comments on the contributions. |
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Dance Workshops, summer
school 2009

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Basic dance moves were taught during the workshops
to develop skills. Movements were developed using the objects
as stimuli to create dance sequences about their personality.
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Drama Workshops, summer
school 2009

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Drama workshops explored making their very
own garden of out scrap materials, learning to develop personal
stories and devise their own characters.
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Bingley Images

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A selection
of old photographs of Bingley and Cottingley used to talk
about the local area to project participants.
Topics included the advent of the textile industry and the
resulting mills in the local area, the effects of migration
and the changes seen in the landscape as industrialisation
took hold. |
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Cottingley & Bingley Images

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A selection
of photographs taken in 2010 of Bingley and Cottingley to
explore the present times in Cottingley. Each group member
was given a scrapbook and a disposable camera, and set various
weekly tasks to add more to the existing research into their
local area or family background. They did this by asking questions,
taking pictures, and drawing pictures. Participants would
feed this back to each other every week so that they learned
how to present their own findings, as well as finding out
more about each other and more about their environment and
the heritage of their area. |
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School Workshops 2009 - 2010

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The residencies
provided an effective way to develop and roll out the theme
and model for workshops and see how different groups and individuals
would respond. Sometimes residencies involved larger and more
groups than the weekly youth sessions. Working through the
schools also offered an opportunity to begin to work with
families and different generations.
The following questions are typical of those
used each term and during residency workshops to stimulate
responses and create new work:
My Bingley was …
My Bingley is …
My Bingley will be …
Conclusions were explored through a variety of creative media
– creative writing, music, dance and creative movement.
Original poems and songs were recorded – a soundtrack
was made using participants from Cottingley Village Primary
School. |
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Industrial Museum Trip 2009

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The term
also included a trip to the Bradford Industrial Museum and
a workshop based there in the October Half Term. The first
outing from Cottingley Cornerstone Centre by the Telling Tales
project was to Bradford Industrial Museum to see a recreation
of the industries that brought Bradford all the wealth and
power of the Industrial Revolution. A large part of this was
concerned with the textile industry, so in the afternoon there
was a practical workshop where each of the students made t-shirts
inspired by their visit. These t-shirts would then be used
in performances as a unique hand made uniform. Dancers worked
all the spaces of the museum, responding to the motion and
physical appearance of the machinery. All the movements were
linked together to create a sequence for a short performance
at the museum.
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Group Sessions

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This first
term focused on the past of Cottingley within the context
of the broader area of Bradford and how/why this had developed
and changed over the years. This was explored and communicated
through dance and storytelling and by the end of the term
the young people had developed a piece that included drama
and movement based mainly around the development of mills
and the textile industry, bringing in migration and journeys.
It also used various materials including a map of Bradford,
fabrics and people’s stories and poems.
Term two focused on the present day and explored
personal lives and stories in a number of ways such as through
personal objects, street names, time capsules ideas, interviews
and tasks set. The group created a piece of dance/creative
movement as well as other outcomes such as diaries. This term
the group were also given a disposable camera each and set
tasks to create a diary based on a member of their family
and the local area where they live. This research task worked
very well and allowed for problem solving and development
work outside the sessions.
Term three focused on the development of
the community group, designed for all ages, which looked at
ways to involve families in dance work and related heritage
themes, within the creative activity. Although the group had
relatively small numbers, it managed to have three dancers
from three generations in the one class. Looking towards the
group contributed to the idea behind the company of all ages.
Consultation on the needs of each age range was considered
as well as the practical considerations of running events
for all ages.
An important research project 'My Castle',
funded by Arts Council England, took place in Summer 2010
which explored these issues in greater depth, utilising the
skills of professional dancers to develop movement material
which would later be adapted for the Telling Tales final celebration. |
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Day of Dance & Finale of Telling Tales Project 2011

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Ascendance
Rep ran a series of 10 workshops in Cottingley, Bingley, Bradford
and Shipley with the goal of celebrating the end of the Cottingley
project with some of those individuals and groups who had
taken part in school residencies or workshops during the past
two years. The theme 'My Story', was inspired by the Bayeux
Tapestry. Family stories were pieced together and extracts
were included in the end final dance piece. |
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Marketing Telling Tales Project 2009 - 2011

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News Clips,
Sample Posters, Flyers, Invitations and listings for Telling
Tales project. |